Dar Williams - Almost New Year's Show w/ Very Special Guest Catie Curtis

Dar Williams’ lyrics contain bouquets of optimism, delivered on melodies alternating between beguiling lightness and understated gravity. Williams strongly believes that all of us possess our own power and ability to achieve, and she rejects the exceptionalism that encourages us to “admire that yonder star,” while making us feel small and insignificant; unworthy of shining on our own but hoping to catch enough distant light to inspire some tiny accomplishment. Williams has always been very interested in how to control our future and this album has to do with the fact that at some point, you just can’t.

Like everyone else, Williams spent 2020 in that state of non-control. She and longtime producer Stewart Lerman tracked most of the album, her 12th studio recording, in November of 2019. In late February of 2020, she cut the title tune in Woodstock with bassist Gail Ann Dorsey and Larry Campbell, who produced the track and played guitars, pedal steel and twangy baritone guitar. When told they had to postpone a mid-March mixing date, Campbell said he wasn’t feeling well anyway. Turns out he’d contracted a serious case of COVID-19. That was a clear sign that at some point, you have to meet life where it meets you …the common thread throughout that these songs, the willingness to meet life as it arrives.

Dar Williams was always in the right place at the right time for the success she’s had over a 25+-year career. She rose out of the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, like Patty Griffith, Melissa Ferrick, the Throwing Muses, Vance Gilbert, and Jonatha Brooke.